Publication news

May 11th, 2012
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I learned yesterday that one of my essays, “Morning and Night,” will be published as part of the Women Writing Nature issue of Sugar Mule. Sugar Mule is an online literary magazine edited by M. L. Weber, with contributing editors Jeanetta Calhoun Mish, Cameron Scott, Felino Soriano, and Phoebe Wilcox. Jeanetta Calhoun Mish is the guest editor for the Women on Nature issue, and I am thrilled that my piece will be included.

“Morning and Night” is a bit of an anomaly when it comes to my recent work, because the essay is only 550 words long. My personal essays tend to range from 1500 words to 6000 words. But now and then I find that I can say everything I want to say in a particular piece in just a few paragraphs, and when that happens I notice that the writing feels much like it felt when I wrote poetry. I keep thinking I’ll get back to more poetry, and maybe at some point I will.

The news was especially fun to celebrate because another graduate from my MFA program learned on the same day that one of her essays will be included in the same issue. In fact, her name is also “Faye” (an unusual name to spot once, but twice?). She is Faye Snider, and she graduated a year before I did, so we were in the same classes for several residencies. And I think I’m allowed to say that she proudly started and completed the program in her seventies, proving that it’s never too late to study, learn, and pursue a dream. Congratulations, Faye S.!

I’ll post the link to the Women Writing Nature issue of Sugar Mule in July, when it comes online. Many thanks to Ms. Mish and the other editors.

Writing Classes for Audit in Newton, MA in July

May 10th, 2012
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Pine Manor College’s Solstice MFA Program in Creative Writing is offering a number of classes for audit in July, including a class on writing for television taught by Dennis Lehane. The classes are part of the summer residency for the MFA program, which takes place July 6-15.

To see the full list of classes available for audit and to download a registration form, click this link.

The writing quandary: what’s left to say?

May 10th, 2012
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It’s tough to find something interesting to say about the writing life on a regular basis. Often the days and the weeks go by without anything of literary merit to discuss; life is life, the days involve the usual struggles and ups and downs, and those ups and downs might not be related to writing. The “writing life” has been taken apart, examined, and put back together by so many writers who have explored almost every aspect of the vocation – where is the best place to write, when is the best time to write, should you write every day, should you free write, should you write by hand or with a computer, should you meditate before you write, how many drafts of a given piece should you expect to produce, should you get an MFA, should you get an agent, should you self-publish – the list goes on and on. In addition to blogs and books on the subject there are classes and lectures and seminars.

Sometimes I wonder if I have anything of value to add. My success as a writer is relatively moderate. I hold an MFA, but not from one of the most established or prestigious programs in the country (although I wouldn’t trade the experience I had with my instructors for anything, anywhere else). I do try to be helpful to other writers; I pass on submission opportunities, support my colleagues’ accomplishments and books, and sometimes critique and/or edit a friend’s work upon request. I’ve taught writing at a university, in adult education classes, and as a one-on-one mentor.

But in the end I often wonder what I have to say that’s different from what has already been said.

The same question sometimes blocks my creative writing. I’ve noticed this lately, since I’ve been working at a temporary job that involves interacting with well-known, highly accomplished writers. When I sit down to draft or edit a piece of my own writing, I become convinced that I don’t have anything exceptional to offer. I worry that my writing might just be…nothing special. That idea feels, to a writer, like something of a curse – after all, to be a writer you have to believe that you have something to say – something important and/or of value to your reader (or, in your dreams, your many readers). You also have to believe that you have the ability to express what are saying in an engaging, artistic, and hopefully unique way. If you stop believing in any of that, you find yourself staring at a blank page wondering why you aren’t doing something that is actually useful, like moving the laundry from the washing machine to the dryer.

It’s tough. Sometimes I read the work of writers whom I consider to be very good, and I know that my work doesn’t approach what they are doing. Maybe their diction is more expansive and literary, or their similes and metaphors are unexpected and especially creative. Maybe they have the guts to bare their souls or tell it like it is in ways that I tend to avoid. Maybe they write about topics that seem trail-blazing when I’m working on a piece about an opossum in my backyard. Regardless of the particular reason in each case, what I think when I read their work is: “I’m just not there.” And then I get discouraged. And then I take the laundry out of the dryer and start to fold it.

What I’m working on really hard now is to try to think: “I’m not there, but I’m here. And here is just as worthwhile as there.” Every time I sit down to write, even if I’m just writing a blog post, I try to tell myself that I have just as much to say as anyone else. I don’t always believe it, but I’m getting there. And in the meantime, if you can relate to this post and it has helped convince you that you too have something to say, too, then I’m happy — and the blog is doing its job.

Those Who Cannot Write…Read?

May 3rd, 2012
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Once, when I was feeling dejected about some struggles I was having with my writing, Michael Steinberg told me that during the times when he finds he can’t write for one reason or another, he focuses instead on reading. Despite my love of writing and books, I’ve never been the kind of avid reader that most writers tend to be. I was a restless child, and I’m a restless adult. I find it hard to devote myself to reading a book from start to finish in a relatively short period of time, unless there is a compelling reason (other than the fact, of course, that the more you read the better you think and write) or unless it is a very compelling book. As a result, I am always amazed when writers say they read a book a week, or are currently reading several books at once. It can take me a month or more to read a good book, because I pick it up for just a few minutes here and there until it’s done.

That is, of course, unless it’s one of those books that grabs you the moment you start reading the first page and won’t let you go until it’s over. And I’ve read my share of those in a wide variety of genres — from classics like Anna Karenina to modern novels such as The Elegance of the Hedgehog, from a memoir like Cheryl Strayed’s Wild: From Lost to Found on the Pacific Crest Trail to a really good mystery such as Into the Woods by Tana French. I read every single Tony Hillerman mystery from beginning to end. And of course there are my guilty pleasures — the audio book thrillers that get me through long drives or periods of time when I have to be in the car a lot (such as during these two months when I have to commute back and forth to a job every day). My favorites are Daniel Silva’s Gideon Alon thrillers, which have an Israeli intelligence agent at the center and are packed with political machinations and international intrigue. Last year, while I commuted back and forth to a teaching job at Framingham State University, I listened to Lolita.

This spring, while I’m working at a temporary job in Cambridge, I’m taking Mike Steinberg’s advice. Because I have less time for my writing, I’m focusing more on reading. I just finished listening to To Kill a Mockingbird, which, shockingly, I had never read (what a book — I will never get it out of my head now that I’ve read it, and that’s a good thing) and reading Strayed’s memoir. Now I’m listening to the latest Daniel Silva thriller in the car, pouring through some Edward Hoagland essays I had left unfinished some time ago, and catching up on a couple of literary journals during my lunch breaks. I’m also reading some poetry, something that is always good for my mind and soul and that brings me back to the basics of language, imagery and lyricism when it comes to writing. I recently purchased Carolyn Forche’s early poetry collection, The Country Between Us. The last poem in the book is dedicated to Terrence Des Pres, my husband’s father and the author of The Survivor: An Anatomy of Life in the Death Camps. Last night I was leafing through Forche’s book while standing in the kitchen. When I discovered that last poem, I thought I would read a few lines and then get back to it later. Instead I found myself rooted to the floor. When Jean-Paul, not realizing what I was reading, said something to me about dinner, I side-stepped out of the room without a word and kept reading until I had read the four-and-a-half page poem from start to finish. When it comes to some writers, a freight train could pass by and I wouldn’t want to tear my eyes from the page.

So…I’m trying to tell myself that it’s OK that I’ve produced less work during this brief period, partly because I’ve been reading so much more. Still, I’m getting a bit restless in the opposite direction now. I want to get back to my writing. I just hope I can continue at least some reading once I do; there’s really nothing that replaces it. And anyway, I have to keep up with my neighbor, Grace, who is eighty-two. When she mentioned to me a couple of years ago that she reads books that she borrows from the local Senior Center, I started leaving books that I had finished at her door. She has read through practically every book I own, and I’ve been running out of ideas regarding what to leave for her. This morning I walked up the hill in a light drizzle and slid four more books through her mail slot: Jean-Paul’s father’s book, Primo Levi’s Moments of Reprieve, Dostoevsky’s Crime and Punishment, and, because I was concerned that this selection might be a bit depressing, The Milagro Beanfield War. I haven’t even read Moments of Reprieve or The Milagro Beanfield War yet, but I just can’t keep up with Grace. When I lent Anna Karenina to her, hoping it would keep her busy for a good while, she finished it in two weeks.

Never mess with a master.

Random thoughts after finishing Cheryl Strayed’s “Wild: From Lost to Found on the Pacific Crest Trail”

April 26th, 2012
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Forgive yourself.

Try to be comfortable in your own shoes.

Don’t carry so much.

It’s OK to be afraid. Sometimes it’s good to be afraid.

It’s OK to be angry. Sometimes it’s good to be angry.

It’s OK to be alone. Sometimes it’s good to be alone.

Love is a funny thing.

To understand the importance of $5, buy a small tub of cottage cheese for $3.99, walk out of the store feeling bummed about using up almost an entire $5 bill, and then give $1 to the homeless man selling newspapers on the sidewalk.

Don’t miss so much by moving so fast.

Just walk.

Sing.