An interview with Mariam Kobras, author of The Distant Shore

January 26th, 2012
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Born in Frankfurt, Germany, author Mariam Kobras lived in Brazil and Saudi Arabia as a child before her parents decided to settle in Germany. She attended school there and studied American Literature and Psychology at Justus-Liebig-University in Giessen. Today, Mariam writes in Hamburg, Germany, where she lives with her husband, two sons and two cats. Her novel, The Distant Shore, tells the story of a famous musician who reconnects with the woman he once loved. Publisher Buddhapuss Ink LLC, which is marketing the book as “Contemporary Fiction/Romance,” launched the The Distant Shore this month.

Mariam’s experience in becoming a first-time published writer breaks many of the rules you likely have heard in your writing programs, classes, and workshops. Parts of her story might make you scratch your head and say, “How could that be?” – especially if you are working on the umpteenth draft of your manuscript or are filing your latest rejection slip. Perhaps what Mariam’s story reveals is that there is no “right” or “wrong” path to success. Sometimes a passion for the work, dedication, an open-minded approach, and a willingness to carve your own path is all you need (well, that and a manuscript that a publisher will love).

FRD: Many of my readers are writers in the early stages of their writing careers. When did you begin to consider writing as your primary focus, and how long did it take you to complete and publish your first novel?

MK: I started writing the first draft of The Distant Shore early in 2009. There was no real deadline, and I certainly wasn’t thinking about a writing career. At the time, I was working at a high school teaching theater and supervising the detention room. To fill the many hours of boredom in that room, I started writing to pass the time and entertain myself. There were long periods when I wrote nothing at all, and The Distant Shore remained unfinished until December 2010. It was actually only after I signed with Buddhapuss that I thought of writing as a career.

FRD: Am I correct that English is not your first language? If not, why did you choose to write in English?

MK: You are correct; English is not my first language, but my second of three. I was born and raised in Germany. My father is Saudi, and when my parents met, English was the language both of them spoke. To this day English is spoken in my parents’ house. My third language was Portuguese, and I say “was” because I spoke it as a kid when we lived in Brazil for a few years. Now, I have forgotten most of it. It was an easy choice for me to pick English. English is lyrical, it has a lovely flow; the rhythm of the sentences speaks to me. It was a gut decision, I think.

FRD: What was the inspiration for this novel?

MK: That is very hard to pinpoint. To be honest, I don’t know. There are a lot of things about my writing that I’ve never figured out. I can’t tell you why I write the way I do, or why I started my book with exactly that scene, and from a man’s point of view, and I can’t tell you what inspired me, either. One day, I opened the laptop and began to write. And once I had started, it just went on and on. That’s pretty much all there is to it.

FRD: Did you have the plot in mind before you started the novel, or did the plot develop during the writing process?

MK: I had one scene in my mind that I wanted to write about. It’s a scene near the beginning of the book, when Jon comes to Naomi’s hotel, she steps out of the elevator and sees him. She is carrying a tray full of new, expensive plates, and it drops from her hands and all those plates crash on the floor. I needed to get to that scene, and so I made up the story of Jon getting that letter and traveling to Norway to find his long, lost love. The rest, as they say, is history.

FRD: What was the biggest technical challenge you faced as you drafted the manuscript?

MK: What’s a draft? No, kidding aside, I didn’t draft. You see, I started writing this to amuse myself. So every day, while I waited for kids to be sent to the detention room, I’d open my writing file and think, “So. What could happen to them today? What will I have them do today?” And that was pretty much all the drafting I did. The story found its own way. It meandered a bit, and the first “draft” was 400K words long. But I think I carved a pretty neat novel out of that block.

FRD: Did you work with readers or a writing group as you wrote the manuscript?

MK: When I started writing—and I actually started writing with The Distant Shore, there are no other novels or stories in my desk from earlier—I kept it a secret. It was my guilty pleasure, my indulgence, and nobody’s business.

I remember how I told my best friend about it, how I sat on her couch, and shamefacedly admitted that I was writing…and no, I had no idea where I was going with it. She smiled. She’s a very patient person, very tolerant of my whimsies. And she told me that was great! A great hobby! But she said much the same about my knitting and quilting, so it didn’t mean a lot. It only meant that she loves me.

Sorry, digressing.

So, no, I don’t have a writing group. Never did. And I found my first readers on twitter, friends from the U.S., who wanted to read my “novel” when I told them what my hobby was.

FRD: How did you know when your novel was “done?”

MK: There’s only one answer to this one, and as flippant as it may sound, it’s the truth: after I had written it. No kidding. I remember sitting right here on the couch, my family around me, and they were watching TV while I was writing. And suddenly, just like that, I knew the story had ended. It ended, with Naomi saying: “I’m hungry for an omelet. Will you make me one?”

I started crying and shaking, and my hubby panicked and asked if I was OK. For a moment, I couldn’t speak. Then I told him the book was finished, and he went out to get some champagne, God bless him.

FRD: Once you completed the manuscript, did you look for an agent or begin sending directly to publishers?

MK: Neither. I wasn’t looking for a publisher. To be honest, I never thought there was enough of a story there to submit it. And I wasn’t really convinced my writing was any good at all.

FRD: How did you land your publisher? Do you have any thoughts about working with small presses vs. big houses?

MK: I didn’t land my publisher, my publisher landed me. They found me on twitter and asked for the full manuscript after reading a short excerpt on my blog. My reply to them was that they would have to wait for a few weeks because I wasn’t done editing. They said they would, but they kept asking. So one day I just dumped the whole thing in an attachment. My query letter was, “Here it is, then!” and my marketing plan was to “do anything they wanted me to, except dance naked on tables.”

They called me via Skype a few weeks later. The first words my new publisher ever said to me were, “We totally believe in your project!” I was sold. And I’ve never looked back. Ten days ago I signed a new two-book deal with Buddhapuss Ink LLC.

As long as they don’t kick me out I’m never going to even look at a different publisher. Working with them is fun! I don’t know if I would feel this welcome, this well cared for, with a big publisher. I had a say in my book cover; I watched (virtually, of course) my novel grow from a word file into a lovely, printed book.

FRD: How long did it take for your book to be published once you had signed on the dotted line?

MK: About nine months. But that was because I was away for six weeks during that time, on a pre-launch book reading tour in the U.S.

FRD: A lot of writers see publishing their first book as a kind of “holy grail.” Tell us what it really feels like once you’ve launched your first novel. Do you feel like you’ve “arrived,” or do you just have more work to do?

MK: Getting this first book deal was pretty cool. But to me it felt more like a beginning than an end. You see, I was never aiming to be an author, at least not actively, with every fiber of my being. It was kind of a nice surprise.

The longing, the wishing to be an author, came as an afterthought. It began after I was signed. Suddenly, I wanted it, and I wanted it more than anything else. Being signed for one book was good and well, but for me, it was the start of things. I felt I’d only be a “real” author if I wrote and published more books. Now, after signing my new contract, I do feel like an author indeed.

There is indeed more work once you have signed a book deal. First there’s the editing, then the marketing, anxiously watching the Amazon page to see if the book sold, the interviews, guest blogs, and so on. Of course, in addition to all that, you’re also supposed to write a new book, prepare for another book tour, sign bookplates, sign books…it’s a pretty busy life now, and I’m loving it! I love every minute, and nearly every aspect of it.

FRD: What are your plans now? Are you already at work on a new manuscript?

MK: I’ve finished one book and submitted it. It’s book 2 in the Stone Trilogy, and will be published in September. The title is Under the Same Sun. Editing will begin very soon on that one. Book 3, Song of the Storm, is well underway; I’ve written about a third of that. I think the plans are to publish it in February 2013. Only last night I talked about my future plans with the publisher, about what I want to do after the Stone Trilogy, and they are quite pleased. So yes, I’m booked until the end of 2013, I would say.

FRD: What advice would you offer to writers whose dream is to publish that first novel, memoir or short story/essay collection?

My publisher always says, “Butt in chair, write!” It’s the best advice ever. You HAVE to write.

No amount of reading about “how to write”, no plotting, drafting, developing characters or settings, no blogging, no TWEETING about it, will write that book for you. Be prepared to be lonely, to sit still for many hours, miss sleep and forget lunches. Be willing to be ruthless in your demand for writing time.

And FINISH THE DARNED THING!

Oh, and one last thing: don’t call yourself “aspiring.” Once you’ve started writing, you’re a writer. End of story.

NOTES FROM BUDDHAPUSS INK LLC

This was the second stop on Mariam’s “Love is in the Air” Blog Hop & Giveaway. Tomorrow you check out ChickLit Reviews and News for her guest post, which is titled: “Clueless.”

We will be giving away copies of The Distant Shore along with some other terrific (and very romantic) gifts as we count down the days to Valentine’s Day. If you’d like to enter the giveaway, leave a comment at the bottom of this post for one entry.  Buddhapuss Ink also encourages you to “Like” this blog and follow it! (Thanks for that — FRD)

If you’re interested in learning about other chances to win, CLICK HERE for all the info.

Can You Do the “Blog Hop?”

January 24th, 2012
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This blog will be taking part in The Distant Shore “Love is in the Air” Blog Hop and Giveaway sponsored by Buddhapuss Ink, publisher of Mariam Kobras’ new novel, The Distant Shore. Below is the description of the event:

“Follow Mariam Kobras as she is reviewed, interviewed or guest blogs her way to Valentine’s Day.

Be sure to leave a comment on each day’s blog site for a chance to win a copy of The Distant Shore and some Wonderfully Romantic Gifts as we count down to the most romantic day of the year, Valentine’s Day.

To see all the prizes and for information on how you can earn ADDITIONAL chances to win – visit our blog at http://buddhapussink.blogspot.com/2012/01/distant-shore-love-is-in-air-blog-hop.html

All winners will be announced on Valentine’s day, February 14, 2012.”

I met Mariam (who lives in Germany) via Twitter, and will post an interview we conducted by email this Thursday. I hope you’ll stop by, read the interview, and post a comment for a chance to win a copy of her novel.

Oh, I have to admit it…

January 20th, 2012
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I am reading — and loving — Death Comes to Pemberley, the new book by famed mystery novelist P.D. James. Jane Austen is one of the few writers whose work inspired me to read every one of her novels (Milan Kundera, who couldn’t be more different, is another). This sequel to the most famous of Austen’s works, Pride and Prejudice, is surprisingly well drafted and fun (I am not generally a fan of Jane Austen sequels). Penned to mimic the style of Austen herself, the plot of the new book begins six years after the events of the original. It draws Elizabeth, Darcy, Jane, and the rest of the Pride and Prejudice crew into an unexpected murder mystery.

The New York Times and the Wall Street Journal have published more erudite reviews that I will attempt here (especially since I am only about a quarter of the way through the book). But I have to admit that I am enjoying all of the references and in-jokes that Austen fans will notice in the text. One wink, especially, evoked a wide smile as I sat alone in our living room reading the book. The narrator notes that Elizabeth and Darcy had, in fact “only been together in private for less than half an hour” between his first proposal, which was rejected, and his second successful attempt. Then, James writes, in the voice of a thoughtful Elizabeth:

“If this were fiction, could even the most brilliant novelist contrive to make credible so short a period in which pride had been subdued and prejudice overcome?”

Yes she could, P.D. James, yes she could!

Kudos and Links for three Debut Novels

January 15th, 2012
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Three of my friends and/or colleagues are debuting new novels this month (or soon). Read on for descriptions of each book and links for online ordering.

Joy Castro’s first novel, Hell or High Water (Thomas Dunne Books) is due out in July — but you can pre-order it now on Amazon.com. Here’s a synopsis of this “psychological thriller in the vein of Kate Atkinson and Tana French that introduces Nola Céspedes, an intense and spellbinding protagonist”:

“Nola Céspedes, an ambitious young reporter at the Times-Picayune, catches a break: An assignment to write her first full-length feature. While researching her story, she also becomes fixated on the search for a missing tourist in New Orleans. As Nola’s work leads her into darker corners of the city, a singular narrative voice emerges, and an even more compelling question surfaces: Who is Nola Céspedes? Vividly rendered in razor sharp prose, this novel is a riveting journey of trust betrayed—and the courageous struggle toward recovery.”

Having read and deeply admired some of Joy Castro’s work (including her memoir The Truth Book and a number of essays and poems published in literary journals), I’ve been waiting for a while for this novel’s debut. When I saw it on Amazon, I immediately pre-ordered my copy.

Jessica Keener, meanwhile, celebrated the release of her first novel, Night Swim (Fiction Studio Books), at a launch party at Brookline Booksmith last week. Read a recent review in B.U. Today here. The book was also recently reviewed in The Boston Globe, and its description is below:

“Sixteen-year-old Sarah Kunitz lives in a posh, suburban world of 1970 Boston. From the outside, her parents’ lifestyle appears enviable – a world defined by cocktail parties, expensive cars, and live-in maids to care for their children – but inside their five-bedroom house, all is not well for the Kunitz family. Coming home from school, Sarah finds her well-dressed, pill-popping mother lying disheveled on their living room couch. At night, to escape their parents’ arguments, Sarah and her oldest brother, Peter, find solace in music, while her two younger brothers retreat to their rooms and imaginary lives. Any vestige of decorum and stability drains away when their mother dies in a car crash one terrible winter day. Soon after, their father, a self-absorbed, bombastic professor begins an affair with a younger colleague. Sarah, aggrieved, dives into two summer romances that lead to unforeseen consequences. In a story that will make you laugh and cry, Night Swim shows how a family, bound by heartache, learns to love again.”

I have one more debut novel to tell you about, and then we’ll call it for today. Mariam Kobras experienced kind of an “accidental” early release of her debut novel, The Distant Shore, published by Twitter-friendly Buddhapuss Ink. I actually connected with both Mariam and Buddhapuss through Twitter — being a cat lover, I was of course immediately attracted to this publisher’s logo. (I’m still hoping for a T-shirt). Mariam was preparing for her book’s launch when she learned that Amazon had begun selling the novel two weeks early. This would have been bad news if not for the fact that the book was an Amazon bestseller the day it debuted. According to Amazon, “The storyline for The Distant Shore was inspired by [Kobras's] fascination with the limitations fame can impose on people. Her book explores the value of love in a world where money and a front-page photo are sometimes more important than a person’s soul.” Here’s the synopsis:

“There’s nothing like finding a letter on your breakfast table informing you [that you] have a teenage son you knew nothing about, but that’s what happens to international rock star, Jonathon Stone. He drops everything to find the boy and his mother, the girl he loved so many years ago, who left him when his rock ‘n roll life became too much for her to bear. Seeing her is like falling in love all over again, and everything seems perfect, until someone sets out to destroy their idyllic life.”

I will be publishing an interview with Mariam in the coming weeks, so stay tuned. We’ll be discussing her process for writing the novel, and her somewhat unique journey toward publication.

I have posted the Amazon links to these books for convenience here, but I encourage you to support your local bookstore by looking for the books there, too. If you don’t find them, inquire — maybe you can inspire some smaller stores to order copies for the readers in your community.

Congratulations, Joy, Jessica, and Mariam. Your determination to stick to your goals and your hard-earned successes are inspiring.

Writing tips and tidbits

January 8th, 2012
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I’ve picked up, or discerned, a few effective writing tips over the past week. I’ll share what I can here.

First, I recently read an opinion piece in The New York Times by Pico Iyer. One of the topics Iyer discusses in the piece, which is titled “The Joy of Quiet,” is the nearly constant mental distraction created by the deluge of information available on the Internet. Many people get distracted for hours — at work or at home — by emails, Facebook, YouTube, websites, and whatever else is out there in Cyberspace, accessible nearly anywhere on our computers and smartphones, and now tablets.

In order to block out these distractions, Iyer notes, many writers use a software program called “Freedom” that disables the Internet on their desktop or laptop computers. This eliminates the temptation to log on during writing time. Because Internet distraction has been an increasing problem for me, I downloaded the software (for just $10 each time) for both my laptop and desktop. I have to say, I love it. My morning writing hours have been far more focused and productive knowing that I can’t log on, even “just for a minute” to check an email or glance at a blog. When my mind gets restless or frustrated with a sentence, paragraph, or essay, I am forced now (unless I leave the room of course) to sit with the feeling and work through it, and then keep writing. I highly recommend “Freedom” if the same type of temptation affects your own ability to stay focused.

Continuing with the same theme, on Friday I attended a one-hour presentation at the winter residency of the Solstice MFA Program by author Roland Merullo. The subject of the presentation was “The Demons that Keep You from Writing,” and because the content of the talk belongs to Roland, I won’t give everything away here. But a couple of things he said really rang true for me. I tend to get very wrapped up in my paying work, which involves being available to multiple freelance clients who have varied needs and work styles (and who are also working in different time zones). I get caught up in trying to meet numerous responsibilities and deadlines related to that work, and doing so begins to feel like a priority over anything else (after all, it’s what pays the bills). Roland talked, however, about the importance of considering your writing time as “sacred,” whether you write daily or create a schedule that fits with the rest of your life in some other way. Once you’ve set that schedule you have to honor it, and consider the time that you set aside for writing as important (if not more so) as your other activities or responsibilities. I would add that this requires making what you owe to yourself as important as what you owe to other people, and for someone like me, that’s not an easy thing to do.

Roland also talked about the importance of finding ways to quiet your mind (much as Iyer did in The Times) in order to be in touch with its workings and impulses. He meditates, but suggested that exercise or time spent in nature are two other possible strategies. I have nearly a constant stream of thoughts, worries, and concerns running through my mind at any given moment, and have tried to combat this problem with many of the strategies Roland mentioned. After hearing Roland’s presentation, however, I am going to renew my efforts to find a solution.

One last thing I’ll mention from the presentation is Roland’s suggestion that a writing life almost always includes some or all of certain ingredients, such as a mentor, a writing group, or participation in literary activities. Overall, the idea is to set up one’s life in a way that supports your potential success as a writer (whatever “success” means for you). After hearing Roland speak, I am going to work a little harder to set up my life in a way that supports my goals rather than thwarts them.

One other tidbit of advice came to me this morning during my happily uninterrupted ninety minutes of writing time. I am currently revamping an essay that I started during my MFA program, and I decided to refer back to an early version of the piece to rediscover some details I had lost along the way. In looking for the original file, I came across some notes from Randall Kenan, who was my faculty mentor during my second semester in the program (and who I was happy to see earlier last week when I moderated a publishing panel on the Pine Manor campus). In re-reading Randall’s notes, I noticed something interesting. Today, two years after I graduated from the program, I was able to grasp his meaning much more clearly than I had when I read his comments as a student. Of course reading his notes now, I am not dealing with the stress associated with trying to fulfill academic requirements and pass a semester. But I also, simply, have come a long way in my understanding of the written language and the writing process. Not only have I completed the program since then, but I’ve been reading and writing for two more years, and have taught a semester of Expository Writing, which forced me to re-learn a lot of language particulars and grammar. With the added experience and knowledge, I could look back at Randall’s notes and understand more of what he was trying to tell me at the time. In two more years, maybe I’ll understand even more.

So if you’ve saved the notes of former teachers, or even if it’s just been some time since you read certain essays or text on craft, I suggest that you take another look. You might be able to glean more information from them now than you could before.

I guess that’s enough for today. We’ve had strangely warm weather for a New England January — the temperature hit 60 degrees yesterday, and today it has climbed to 42. Maybe I’ll get out there and breathe some of the fresh air that helps to clear my mind.

Good writing to you.